“We all posted up after our court time expired and continued to talk. Some old-timers chatted us up as we shot photos and for the first time that day, I felt less aware of my own age, remembering that tennis, like skating, is almost ageless. In an era of real-time, hyper documentation, Gino Iannucci is very much the opposite of most skateboarders, while never sounding like a Luddite. Instead, it’s about quality control and the care and attention to what he puts out in the world, even something as simple as a single ad.”
On a sunny spring Sunday, writer Anthony Pappalardo and I met up with iconic, yet reclusive and mysterious pro skateboarder Gino Iannuci to play tennis and discuss skateboarding, his career (or neither at all), and whatever else came up along the way. Coincidentally, the article was published on the same day as new footage of Gino was released on Nike SB’s Instagram, also coinciding with the release of his new Dunk. Great to see some Gino coverage out in the world again!
A few weeks ago I went to Montreal for the bachelor party of a good friend. I ended up enamored with the architecture there and found I couldn’t stop shooting the building’s of the city. Here are some of my favorites from the trip, as well as few of the boys as well. All shot with the fun little Nikon EM on Kodak Portra 400 film.
Congrats Chris! Looking forward to the wedding.
“only a handful of artists have stuck around skateboarding long enough to not only tell its story, but have any type of arc or evolution. Still pissed, still “shitty,” and still a part of skateboarding, Francis is absolutely at his best when he’s at his worst.”
I had the amazing pleasure of meeting and photographing Todd Francis for THE HUNDREDS, on the night of his exhibition “Worst of the Worst” at House of Vans, which chronicled two decades of graphics with Anti-Hero skateboards. Head over to their site to read the full interview by Anthony Pappalardo.
Some photos from a recent weekend to upstate New York in Woodstock and a hike up Kaaterskill Falls.
Shot with a Nikon EM on Kodak Porta 800.